Maria Bruun appointed as curator of The Mindcraft Project 2024

SIMPLE CLAYWARE: Ole Jensen at Peach Corner

Pioneers of Pine: Vaarnii

Alice Rawsthorn on the Future of Craft

Danish design – American hardwood

Sculptural Work: Anne Brandhøj

Sara Martinsen appointed as curator for The Mindcraft Project 2023

Design fair: Design Miami/

Natural Material Studio: Fusing science, design and art

The Future Perfect: A holistic approach to collectible design

Design fair: COLLECTIBLE

Sculptural Work: Jakob Jørgensen

Nilufar’s Nina Yashar: A new language of design within the realm of art

From abstract to functional: New design by Kasper Kjeldgaard for Fritz Hansen

Boris Berlin: “We are standing on the shoulders of each other”

Designmuseum Danmark: Connecting the past with the present and the future

David Thulstrup on artists and designers that place craft at the forefront

Marie-Louise Høstbo on the new generation of designers in Denmark

Julius Værnes Iversen of TABLEAU on how design can positively affect mental health

Studiomama: A London-based design studio with Danish roots

Material Insights: Hemp

Danish Ceramics – part 4 – Christina Schou Christensen

Rethinking traditional craftsmanship to create something new

Working with wood: Eske Rex

Material intelligence: Why it is important to understand materials

Danish Ceramics – part 3 – Bente Skjøttgaard

Thomas Graversen: “The field between art and product is where the magic happens”

Danish Ceramics – part 2 – Morten Løbner Espersen

Danish Ceramics – part 1 – Martin Bodilsen Kaldahl

Maria Bruun combining the sculptural and the functional at Design Miami/ Basel

Gallery Hostler Burrows on Danish design

Frederik Nystrup-Larsen and Oliver Sundqvist: Staying curious

Let’s get phygital: exploring digital sensations with Wang & Söderström

Stine Bidstrup: Two decades of glass craftsmanship

Studio visit: Archival Studies

91-92: New ways of approaching 3D printing

Mette Schelde: “Meticulous investigations into the components of light”

Lone Feifer: “The kind of design that makes a difference”

Maria Wettergren: “There can be a lot of poetry embedded in empirical experiments”

Rasmus Fenhann: “I use new technologies as another tool in my toolbox”

Gallery FUMI: “Denmark seems to have craft in its DNA”